
Richard Curtis is a bit of a marmite person. On the one hand, he was behind Not The Nine o'Clock News, Blackadder and Bridget Jones' Diary, and gives generously to charity; on the other he is responsible for a peculiarly horrible, mawkish, sentimental and infuriatingly popular kind of rom com that perpetuates an anachronistic view of Britain as a twee little country where everyone is white, frightfully posh, charmingly neurotic, and distantly related to the queen. This reached an apotheosis in 2003's Love, Actually, which was a kind of sine qua non of rom-coms, featuring about ten love stories, each one a film in itself.
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